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This site includes the postings from the Irish Aires email list. This includes a listing of Irish/Celtic events in the Houston area and other information that the Irish Aires radio program posts.
Friday, May 20, 2005
Native Son Rocks the Duck
http://www.thebulletin.com/archives/2005/may/music0520.htm
Ian Moore’s New Day
Native Son Rocks the Duck this Weekend
Mark Williams
Music Editor
The darker side of Southern Rock is represented by Ian Moore -- a
Texas native who made his rep in Austin’s early 90’s roots-rock
soundscape with his debut album on Capricorn Records. While the record
made Moore a new guitar hero, he modified that image on his follow-up,
Modern Day Folklore, which showcased his growth as a singer-
songscribe; but Moore’s third album apparently “confused Capricorn”,
prompting the label to drop him. Moore didn’t take the bad news too
hard, instead seeing the situation as artistic freedom, a chance to
again modify his image.
It’s easy to see why Capricorn was confused by Moore’s music, as he is
an artist who often defies definition; while he conveniently fits into
the forever growing Texas music genre, his sound actually gains more
from the Beatles than Willie Nelson. “I consider it Southern Gothic,
like Flannery O’Connor -- that whole creepy feeling with lots of
shades and subtleties,” says Moore of his music. “It includes soul,
gospel and Appalachian stuff, plus a lot of Celtic and Indian music.”
Moore has a new label, the Americana and indie rockin’ Yep Roc
Records, and a cool new CD, Luminaria -- a richly varied, deeply
soulful affair that should free him once and for all from any
lingering misperceptions or misconceptions of who he is as an artist.
It’s only fitting that the making of the record was just as much a
journey as everything else in Moore’s life.
Because of his constant touring, different parts of Luminaria were
conceived on the road: in the homes of friends, on days off, on the
fly; paths crossed, drum parts were recorded here and there -- even
old friends in faraway places showed up to make cameos, mainly
bandmates with whom Moore has shared the stage over the years. “It’s a
very natural record made by friends,” says Moore. “I made this album
with pretty much everyone who’s played with me over the past six or
seven years. It started in Austin with the Screen Door guys, then I
took it to Seattle, and then on the road…”
But while life on the road takes its toll, it also makes for great
live shows. Moore consistently manages to reduce packed houses to
stunned silence through the sheer power of his voice, his songwriting
and the sheer emotion that he conveys; actually, because of his
unwillingness to be defined by the industry, Moore has built up his
following one show at a time; hearing is definitely believing.
Ian Moore has vaulted himself near the head of the class with
Luminaria -- a perfect fit for music lovers seeking a contemporary
artist with a timeless musical sound, something of a new century Roy
Orbison. While the songs of Luminaria offers an Americana travelogue,
Moore’s greatest asset is his voice, which balances a deep calm with
an aching urgency playing perfectly inside the surprisingly wide vocal
range of a baritone -- never overreaching or settling into a
comfortable rut.
Luminaria has lots of appetizing choices for FM radio, but Moore’s
finest moment comes on “New Day” -- a song that begins with quiet
thoughts of getting out of bed, building to a wall of cool psychedelic
guitar fuzz, thumping drums and trumpets straight out of “Penny Lane”;
another album highlight, “Caroline” shifts from a weepy country-rock
melody, falling into a newfangled waltz, complete with dub-style echo
and keening, wordless vocals. Not all of the songs are that
adventurous, but there’s not a bad track on Luminaria.
An alternative weekly newspaper in his adopted hometown of Seattle
calls Ian Moore a “stellar songwriter blessed with an absolutely
stunning voice…(moving) foursquare into the circle of guitarist-
songwriters like Richard Thompson, Curtis Mayfield, Jimi Hendrix and
Jeff Buckley, where pop isn’t a dirty word and where music comes
straight from the soul…”
Check out Texas boy Ian Moore as he returns to his home turf on
Saturday night to play McGonigel’s Mucky Duck (2425 Norfolk, Houston)
with shows at 7:30 and 10PM; $15. 713-528-5999. Next Saturday night at
the Duck, it’s the music of Sisters Morales…
send your comments to
mark@thebulletin.com