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Saturday, January 22, 2005
01/22/05 - Read Ireland
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Read Ireland Book News - Issue 293 – Cambridge University Press
Special Issue
--------------------------------
The Cambridge Companion to Twentieth Century Irish Drama edited
by Shaun Richards
(Trade Paperback; 27.50 Euro / 32.50 USD / 16.00 UK; 290 pages)
The essays in this collection cover the whole range of Irish
drama fro the late nineteenth-century melodramas which
anticipated the rise of the Abbey Theatre to the contemporary
Dublin of theatre festivals. Further to studies of individual
playwrights, the collection also includes an examination of the
relationship between the theatre and its political context as
this is inflected through its ideology, staging and programming.
With a full chronology and bibliography, this collection is an
indispensable introduction to one of the world’s most
vibrant theatre cultures.
--------------------------------------
The Cambridge Companion to James Joyce 2ed edited by Derek
Attridge
(Trade Paperback; 27.50 Euro / 32.50 USD / 16.00 UK; 290 pages)
The second edition of this guide contains several new and
revised essays, reflecting increasing emphasis on Joyce’s
politics, a fresh sense of the importance of his engagement with
Ireland, and the changes wrought by gender studies on criticism
of his work. An international team of leading scholars offers
informative, stimulating essays full of rich and accessible
insights which will provoke thought and discussion in and out of
the classroom.
-----------------------------------
A History of Irish Theatre 1601-2000 by Christopher Morash
(Trade Paperback; 27.50 Euro / 32.50 USD / 16.00 UK; 322 pages)
This widely-praised account of Irish theatre traces an often
forgotten history leading up to the Irish Literary Revival. The
author then follows that history to the present by creating a
remarkably clear picture of the cultural contexts which produced
the playwrights who have been responsible for making Irish
theatre’s world-wide historical and contemporary reputation.
The main chapters are each followed by short chapters, focusing
on a single night at the theatre. This prize-winning book is an
essential, entertaining and highly original guide to the history
and performance of Irish theatre.
------------------------------------
Beckett’s ‘Waiting for Godot’: A Student Guide by Lawrence
Graver
(Paperback; 16.50 Euro / 22.50 USD / 10.00 UK; 108 pages)
This book offers a comprehensive critical study of Beckett’s
most renowned dramatic work which has become one of the most
frequently discussed and influential plays in the history of the
theatre. The author discusses the play’s background and
provides a detailed analysis of its originality and distinction
as a landmark of modern theatrical art. He reviews some of the
differences between Beckett’s original French version and his
English translation, and discusses the liberating influence of
the play on such important writers as Harold Pinter and Tom
Stoppard.
---------------------------------
Joyce’s ‘Ulysses’: A Student Guide by Vincent Sherry
(Paperback; 16.50 Euro / 22.50 USD / 10.00 UK; 108 pages)
In this engaging introduction, the author combines a close
reading of Joyce’s most famous novel with new critical
arguments. Besides providing a useful guide to the episodic
sequence of Joyce’s novel, the author freshly addresses the
major issues in ‘Ulysses’ criticism. He shows how Joyce’s
modernist epic remodels Homer’s ‘Odyssey’, and he examines and
explains Joyce’s extraordinary verbal experiments, reading anew
the most challenging language of the text. He also reclaims the
landmark status of Joyce’s monumental novel, situating it in the
relevant contexts of literary tradition and political history.
---------------------------------
Images of Beckett by John Haynes and James Knowlson
(Hardback; 30.00 Euro / 35.00 USD / 20.00 UK; 156 pages, with
photos throughout)
This book sets John Haynes’ unique repertoire of photographs of
Beckett’s dramatic opus alongside three newly written essays by
Beckett’s biographer and friend, James Knowlson. Haynes
captures images of Beckett’s work in progress and performance
and includes hitherto unseen portraits of Beckett himself.
Haynes was privileged to be present at the Royal Court Theatre
in London when Beckett directed his own plays. Among the 75
photographs are compositions that include the leading
interpreters of the plays. Knowlson’s first essay combines a
verbal portrait of Beckett with a personal memoir of the
writer; the second considers the influence of paintings that
Beckett loved or admired on his theatrical imagery; the third
offers a detailed, often first-hand, account of Beckett’s work
as a director of his own plays. The essays are the result of
personal conversations with Beckett and attendance at rehearsals
and they provide a unique glimpse into the world of one of the
theatre’s most influential and enduring playwrights.
---------------------------------
Beckett & Aestheitcs by Daniel Albright
(Hardback; 60.00 Euro / 72.00 USD / 40.00 UK; 180 pages)
This book examines Beckett’s struggle with the recalcitrance of
artistic media, their refusal to yield to his artistic purposes.
As a young man Beckett hoped that writing could provide psychic
authenticity and true representation of the physical world;
instead he found himself immersed in artificialities and
self-enclosed word games. In this book the author argues that
Beckett escaped from this bind through allegories of artistic
frustration and through an art of non-representation,
estrangement, and general failure. He arrived, the author
shows, at some grasp of fact through the most indirect route
available. The author explores Beckett’s experimentation with
the notion that an artistic medium might itself be made to
speak. This powerful and highly original book explores
Beckett’s own engagement with radio, film, and television, prose
and drama as part of an attempt to escape the confines of the
aesthetic.
-------------------------------
Edmund Burke and Ireland by Luke Gibbons
(Hardback; 60.00 Euro / 72.00 USD / 40.00 UK; 300 pages)
This pioneering study of Edmund Burke’s engagement with Irish
politics and culture argues that Burke’s influential early
writings on aesthetics are intimately connected to his lifelong
political concerns. The concept of the sublime, which lay at
the heart of his aesthetics, addressed itself primarily to the
experience of terror, and it is this spectre that haunts Burke’s
political imagination throughout his career. The author argues
that this anxious aesthetics found expression in his
preoccupation with political terror, whether in colonial Ireland
and India, or revolutionary America and France. Burke’s
preoccupation with violence, sympathy, and pain allowed him to
explore the dark side of the Enlightenment, but from a position
no less committed to the plight of the oppressed, and to
political emancipation.
------------------------------------
James Joyce and the Problems of Psychoanalysis by Luke Thurston
(Hardback; 68.5.00 Euro / 80.00 USD / 45.00 UK; 232 pages)
From its very beginning, psychoanalysis sought to incorporate
the aesthetic into its domain, translating it as vagrant symptom
or sublimated desire. Despite Joyce’s deliberate attempt in his
writing to resist this powerful hermeneutic, his work has been
confronted by a long tradition of psychoanalytic readings. In
this book the author argues that this very antagonism holds the
key to how psychoanalytic thinking can still open up new avenues
in Joycean criticism and literary theory. In particular, the
author shows that Jacques Lacan’s encounter with Joyce forms
part of an effort to think beyond the ‘application’ of theory:
instead of merely diagnosing Joyce’s writing or claiming to have
deciphered its riddles, Lacan seeks to understand how it can
entail an unreadable signature, a unique act of social
transgression that defies translation into discourse. The author
builds on Lacan’s notion of Joyce’s irreducible literary act to
illuminate Joyce’s place in a wide-ranging literary genealogy
that includes Shakespeare, Hogg, Stevenson and Wilde.
---------------------------------
Proust, Beckett and Narration by James H. Reid
(Hardback; 60.00 Euro / 72.00 USD / 40.00 UK; 192 pages)
This is the first book-length comparison of the narrative
techniques of two of the twentieth century’s most important
prose writers. Using a combination of theoretical analysis and
close readings of Proust’s A la recherché du temps perdu and
Beckett’s trilogy of novels, Molloy, Malone Dies and The
Unnameable, the author compares the two novelists’ use of
first-person narration in constructing and demystifying fictions
of consciousness. The author focuses on the narrator’s searches
to represent and erase a voice that speaks the novel; searches,
he argues, that structure first-person narration in the works of
both novelists. He examines in detail the significant impact of
Proust’s writing on Beckett’s own work as well as Beckett’s
subtle reworkings of Proust’s theses and strategies.
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